Helena Ignez

Helena Ignez

Acting

Born: 1939-05-23 in Salvador, Bahia, Brazil

Biography

Helena Ignez (Salvador, May 23, 1939) is a Brazilian actress and filmmaker. Helena was born in Salvador, Bahia and was attending her second year of law school when she fell in love with theater and decided to study the Dramatic Arts at the Federal University of Bahia. At the time, the Bahian theater scene was breaking with traditional Brazilian theater and experiencing strong influence from the young vanguard. She first appeared on the screen in Glauber Rocha's short film "Pátio". Helena acted in a few films associated with the Cinema Novo movement, such as "A Grande Feira" (1961), "Assalto ao Trem Pagador" (1962), and "O Padre e a Moça" (1966) before playing Janete Jane in O Bandido da Luz Vermelha by Rogério Sganzerla. After this film, she would perform in some most significant films in the Cinema Marginal movement, which directly opposed the critically acclaimed Cinema Novo -- the most remarkable being her role as Ângela Carne e "Osso in A Mulher de Todos" (1969). She also was a financial partner of Rogério Sganzerla and fellow Cinema Marginal filmmaker Júlio Bressane in the short-lived, although prolific, Belair production company. Between 1968 and 1970, Sganzerla and Ignez made almost a dozen films together and were also married and had two children -- one of which would become actress Djin Sganzerla. As a filmmaker, Ignez has directed 7 films, the most notable being "Luz das Trevas" (2010), a sequel to Sganzerla's debut feature "O Bandido da Luz Vermelha" (1968).

Known For

Inauditoo

Inauditoo

Voice

Hotel Atlântico

Hotel Atlântico

Dona da Pousada

Era Preciso Voltar

Era Preciso Voltar

Regina

Estátua!

Estátua!

Mãe (voz)

Tereza Batista

Tereza Batista

Maricota

No Poster

O Cinema Foi à Feira

Ela mesma

Nosferatu

Nosferatu

Lost Media

Lost Media

A Colecionadora

Ralé: The Lower Depths

Ralé: The Lower Depths

Sonia Silk

Fakir

Fakir

Narrator

Antes do Fim

Antes do Fim

Ugly, Me?

Ugly, Me?

Jarda

Subterrânea

Subterrânea

Senhora Ônibus

Eclipse

Eclipse

Dona da Kitnet

Nem Tudo é Paz e Amor

Nem Tudo é Paz e Amor

Self

Belair

Belair

Oswaldianas

Oswaldianas

Primavera nos Dentes – A História do Secos & Molhados

Primavera nos Dentes – A História do Secos & Molhados

Self

Copacabana Mon Amour

Copacabana Mon Amour

Sônia Silk

Embodiment of Evil

Embodiment of Evil

Cabíria

As Florestas da Noite

As Florestas da Noite

Helena! Cinema!

Helena! Cinema!

Brazilian Cinema in the 20th Century

Brazilian Cinema in the 20th Century

Self

A Film to Remind Us of Utopia

A Film to Remind Us of Utopia

Self (archive footage)

The Red Light Bandit

The Red Light Bandit

Janete Jane

Deuses da Peste

Deuses da Peste

Scent of Gardenias

Scent of Gardenias

Bandida

Candango: Memoirs from a Festival

Candango: Memoirs from a Festival

Self

Extracts

Extracts

Celebração - 100 Anos do Cinema Nacional

Celebração - 100 Anos do Cinema Nacional

Self

The Priest and the Girl

The Priest and the Girl

Mariana

No Poster

Jardim dos Silêncios

Anônimo e incomum

Anônimo e incomum

Mulheres de Cinema

Mulheres de Cinema

Self (archive footage)

Assault on the Pay Train

Assault on the Pay Train

Marta

Love Film Festival

Love Film Festival

Herself

The Welles Raft

The Welles Raft

Herself

Face to Face

Face to Face

Luciana

A Grande Feira

A Grande Feira

Ely

Memoirs of a Strangler of Blondes

Memoirs of a Strangler of Blondes

Multiple Characters (Archive Footage)