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Jean Rouch

Jean Rouch

Directing

Born: 1917-05-31 in Paris, France

Biography

Jean Rouch (French: [ʁuʃ]; 31 May 1917, Paris – 18 February 2004, Niger) was a French filmmaker and anthropologist. He is considered to be one of the founders of cinéma-vérité in France, which shared the aesthetics of the direct cinema. Rouch's practice as a filmmaker for over sixty years in Africa, was characterized by the idea of shared anthropology. Influenced by his discovery of surrealism in his early twenties, many of his films blur the line between fiction and documentary, creating a new style of ethnofiction. He was also hailed by the French New Wave as one of theirs. His seminal film Me a Black (Moi, un noir) pioneered the technique of jump cut popularized by Jean-Luc Godard. Godard said of Rouch in the Cahiers du Cinéma (Notebooks on Cinema) n°94 April 1959, "In charge of research for the Musée de l'Homme (French, "Museum of Man") Is there a better definition for a filmmaker?" Along his career, Rouch was no stranger to controversy.

Known For

Chronicle of a Summer

Chronicle of a Summer

Self

The Mad Masters

The Mad Masters

Narrator

The Lovely Month of May

The Lovely Month of May

Self (uncredited)

The Doll

The Doll

Officer (uncredited)

Son of Gascogne

Son of Gascogne

Self

Cinématon

Cinématon

N°1256

The Dreamed Films

The Dreamed Films

Self

My Conversations on Film

My Conversations on Film

Himself

Samba the Great

Samba the Great

Narrator

No Poster

Cinéma! Cinéma! The French New Wave

Self

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)

Ispahan: A Persian Letter (The Chah Mosque at Ispahan)

Lui-même

La Nouvelle Vague par elle-même

La Nouvelle Vague par elle-même

Self

An Egg with No Shell

An Egg with No Shell

Letter to Jean Rouch

Letter to Jean Rouch

Self

The Sons of the Water

The Sons of the Water

Rouch's Gang

Rouch's Gang

Self

No Poster

Mon père c'est un lion - Jean Rouch pour mémoire

Self

Rouch in Reverse

Rouch in Reverse

himself

Nouvelle Vague : El cine sin dogmas

Nouvelle Vague : El cine sin dogmas

Self

No Poster

Maya Deren, Take Zero

Himself

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Cinéma, de notre temps: Mosso, mosso (Jean Rouch comme si...)

Himself

Ciné-Portrait of Raymond Depardon

Ciné-Portrait of Raymond Depardon

himself

Pierre Fatumbi Verger: Messenger Between Two Worlds

Pierre Fatumbi Verger: Messenger Between Two Worlds

Self

No Poster

Samedi soir

Self

Encountering Jean Rouch

Encountering Jean Rouch

A Friendly Handshake

A Friendly Handshake

World Without a Game

World Without a Game

Self

Jean Epstein, Young Oceans of Cinema

Jean Epstein, Young Oceans of Cinema

Self (archive footage)

Ciguri – Tarahumaras 98 - La Danse Du Peyotl

Ciguri – Tarahumaras 98 - La Danse Du Peyotl

Narrator

No Poster

Ciné-mafia

Germaine chez elle

Germaine chez elle

himself

Jean Rouch: First Film 1947-1991

Jean Rouch: First Film 1947-1991

Himself

No Poster

Civilisation: L'homme et les images

Self

Jean Rouch, des mensonges plus vrais que la réalité

Jean Rouch, des mensonges plus vrais que la réalité

Lui-même

Ciguri - Tarahumaras 99 - Le dernier chaman

Ciguri - Tarahumaras 99 - Le dernier chaman

narrador

Work(ing Together) in Process

Work(ing Together) in Process

Self, the filmmaker before the filmmakers (in 240p)

Portrait de Jean Rouch

Portrait de Jean Rouch

Self

Freddy Buache, le cinéma

Freddy Buache, le cinéma

Self (archive footage)

L’Enigma di Jean Rouch a Torino - Cronaca di un film raté

L’Enigma di Jean Rouch a Torino - Cronaca di un film raté

Outlaw

Outlaw

Self